I spent the past week in Yangon, Myanmar, for a juggling festival & social circus project organised by Serious Fun in Yangon. Me and two dozen other international jugglers flew in to do shows and teach workshops all over the city. We worked with disabled kids, a monastery school, rescued child soldiers, and the general public.
There were so many great people. I reconnected with Andrea, the head of Spark Circus, and we'll be working together on some stuff in the coming year or so. I got my first volunteer for Spin Matsuri India, Elad, an Isreali juggler who will be in India later this year when I'm there, too. I watched in awe as veteran performers did their stuff: Haggis, Ben Zuddist, Maike, & Captain Finhead are the sort of performers I want to emulate - skilled, able to play to all ages in any condition with aplomb and good humour. I made connections with circus people, tech people, and new friends from all over the world. I also met a juggler, Mike Twist, who lives two stations away from me in Tokyo. We have very little overlap in our circles, which is rare for long-term foreigners here. I'm sure we will meet up and do more together in the coming months.
I learned to juggle two balls in one hand. Seems like it would be easy, but it has eluded me forever. Roo, a 15 year old, stared at me the way only teens can until I got it. I simply could not let myself fail and I didn't stop until I could do columns in both hands and inside and outside cascades, too. I also managed to juggle (1 whole juggle) clubs, another long-standing goal. Alberto taught me the tricks: throw to the outside, not forward; sing circus music while doing so. The music made it work. And I also learned to bend balloons - I can make a balloon sword. Slowly and carefully...but I can do it and it will only get better from here. Practice, practice, practice!
The highlight of my week was the praise I got from my fellow jugglers regarding my skill at stage management. Yep, I am not the best juggler (in this group, I was the the worst by far) and my performances are less polished than they could be, but I am fearless backstage and it was a treat to know that performers I respect recognised that.