Potential Catastrophes

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Frequency of quakes around Tokyo, before and after the Tohoku quake. Data from Todai report.

Last week, the University of Tokyo Earthquake Research Institute published a new report on "The Big One" that is overdue to hit Tokyo. After studying the frequency of quakes in the Kanto region since 3/11, they say there is a 70% chance that a magnitude 7 or higher quake will happen in the next 4 years. From the English summary of their research:

Small earthquakes occur more frequent[ly] than large ones. Smaller the earthquake is, the more likely [it is] to occur. This is called the "Gutenberg-Richter's low".  For example, in Japan it is known that magnitude (M) 3 earthquake occurs 10,000 times per year (i.e. once in an hour); M4 earthquake, 1000 times per year (i.e. 3times in a day); M5, 100 times per year (i.e. once in 3days); M6, 10 times per year (i.e. once a month).

The government's official prediction, which uses a different basis for calculation, is that The Big One will hit with a 70% chance in the next 30 years. That is easy enough to ignore - 30 years is a long time, after all. But this new prediction from the university scientists make it sound like as likely as a weather forecast. 70% chance of rain? You'd carry an umbrella.

Friends I've surveyed about this admit their concern, but aren't planning to leave or do much at all. I think my main action will be to update my emergency kit with some items we learned were in short supply after March, and to keep to a schedule of restocking it so that food stores are always fresh.

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Good morning, Japan. Mt Fuji area quake shakes us all awake.

So with all this on my mind, a series of earthquakes this weekend were more jarring than usual. We felt three moderately rattlers on Saturday morning and Sunday afternoon. None bigger than M 5.5, but all with an epicenter near Mt. Fuji. There were quite a few we didn't feel originating form there, too, and some along the coast in Kyushu and Okinawa.

This concerns me in two ways. First of all, this weekend's Fuji quakes were just about at the epicenter of the 1923 Great Kanto Earthquake - the previous Big One - that destroyed a lot of Tokyo in collapses and fire. But more important than a historical tie, Mt Fuji isn't on the Pacific Plate, where the March 11 earthquake happened. It's at the boundary of two plates: the Philippine and Eurasian. I'm not a geologist, but it seems logical that when one area slips violently, as the Pacific Plate did last year, adjacent plates are going to build up stress until they shift, too. Until recently, most of the quakes have been on the Pacific Plate with some along the Eurasian Plate (up in Niigata, for example) and just a rare few on the Philippine Plate. Looks like things may be changing now.

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Beautiful portrait of Fuji-san this morning. Thanks to a livecam at http://www.fujigoko.tv/

Which brings me to my second concern, Mt Fuji itself. She's due for an eruption. The last time was December 1707, a few months after a huge earthquake and tsunami. She has erupted in concert with other large earthquakes, including once in 870, after a really huge quake in northern Japan in 869. So could we be lining up for a volcanic eruption along with the Big One?

I'd better include some dust masks in the emergency kit.


Comic Hooping

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Wednesday night at Hoop Lounge I did a first run of a new act that I plan to take up to Tohoku next month to entertain kids who were affected by last year's earthquake and tsunami. I'll be going up with Guy Totaro and the Smile Ambassador program, a part of the Tyler Foundation's children's charities.

I have been wanting to bring more character into my hooping, and this is a great chance. In some of the Tohoku shows, I'll be the "lovely assistant" and this routine will be my "solo" in the larger comedy show. This act is more physical theatre than hooping, though it requires the hoop to work. 

I have no training in physical theatre so I struggled to figure out how to work emotion and a storyline into my hooping. I watched a lot of videos, pulled faces in the mirror to discover my range of expressions, and every time I practiced the routine, I found a new way to refine the storyline. I know I will be performing this routine many times and learning more about it each time I do.

The performance on Wednesday wasn't perfect but it was fun. The audience laughed and that was encouraging. I got positive and helpful feedback from friends; thank you all so much for boosting my confidence and also giving me some things to work on. 

And most helpful of all, I can see the act myself. Trine captured video of both Hoop Lounge performances that night - first mine, then a gorgeous LED choreography from Kana, who always wows the audience with her grace. We made a good show of opposites. 

Mystery Weasel = Masked Civet

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Masked Civets

My neighborhood wildlife spottings started in December 2002 and it has always been a mystery to me what this long tailed grey critter was. Tanuki? Badger? I called it the Mystery Weasel in my first post and wrote about another sighting of the same animal on July 2006. After seeing four of them together two nights ago as I walked home with Tod & Heather at about 10pm - and taking a photo - I was able to track down an identification. 

They are masked palm civets, hakubishin in Japanese. Probably not native to Japan, they were likely brought here from Taiwan in the Meiji era as fur animals. These days they live in the wild and according to urban wildlife tracking website Tokyo Tanuki there are many sightings in the city, quite a few of them in my part of town. Based on eyewitness reports, they estimate a population of 315 wild civets in Tokyo. 

Who knew?

Good Luck in the New Year

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Yesterday I went to Yoyogi Park to work on a new comic hooping act but got distracted as I entered the gates, Healthy Matsuda, one of Tokyo's licensed buskers (Heaven Artists, dont' get me started) was setting up do a comic mime performance. I grabbed a hot tea from the vending machine nearby and plonked myself in front of his hat as he warmed up.

I was the only person waiting and watching, and I was surprised when he addressed me - in English - saying that he'd seen me hooping on Sundays. It was nifty to be recognised; there are lots of regulars at the park and it's good that we get to know one another. I should make a point to greet the people I see frequently.

His act was charming - impressions of flowers and fruit (the banana cracked me up completely), a very clever series with invisible masks, and "how people laugh around the world." It was a good performance and with my own comic show in mind, I paid close attention to his manner, timing and showmanship. 

By the middle of the show he'd attracted a moderate crowd. When it was over, I dug some money out of my wallet and tossed it in his hat. Offering paper money in the US might mean a dollar, right? Here the smallest denomination is worth about $12, so it's a leap up. I certainly laughed and learned 1000 yen's worth.

Matsuda-san told me I was his first audience of 2012 and thanks to me he was sure that it was going to be a lucky year. Maybe it's sort of like the first tuna auction at Tsukiji, where prices are bid way up to ensure a good season of fishing and business. If you get some decent cash in your first street show in January, the rest will be good, too. I hope it is a great year for him.

Happy New Year

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Best wishes from me and Tod for a bright Year of the Dragon.

25 Words

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Mother Earth trembled and futures fell apart. Uncertainty ruled us for months but in the end I'm still in Japan, married, hooping, and feeling happy.

This is the eleventh year I've summarised the past 365 days in "25 words exactly". This year's had a surprise ending for me that I didn't see coming until it was on paper. Past years: 2010, 2009, 2008, 2007, 2006, 2005, 2004, 2003, 2002, 2001. Feel free to share your own 25 word summary in the comments or elsewhere.

Engage 2012

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For the past few years, I've selected a theme to guide my year. It's been a word or an idea that I can turn to in times of doubt or confusion, a mantra that will move me forward or bind me to the moment, something to help me decide what to do. I write it out, put it in a frame near my desk as a reminder.

For 2012, my theme is engage.

Engage means to participate, to commit, to engross, to involve. 

Engage suits things I do on my own and together with others. It is a theme with room for interpretation and always an impulse to act. 

Engage is something I can do or something I can be: I can engage in new ventures; I can engage students in learning; I can engage an audience; I can engage my fears; I can be engaged by a book; I can be engaged in a project; I can become engaged in a relationship. 

Some meanings that might apply in the coming year: appoint, enlist, employ, recruit, contract, bind, agree, promise, pledge, grapple, attack, attract, immerse, absorb, enthrall, captivate, fascinate, busy, enroll, fulfill, interconnect, partake.

Here are my previous themes:
2010, connect: http://www.mediatinker.com/blog/archives/010736.html

Celebrating my Progress

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A friend wrote on Facebook today, "Be reflective and notice what you've learned and what you've accomplished this year. Celebrate your progress!" I think that's a good idea. 

At first, I feel like I haven't really done very much this year. And then I start looking at some of the things I made notes about through the year. Gosh, I was busy! Here's what I have accomplished in 2011.
  
  1. Finally learned to juggle! This is what I am most proud of.
  2. Unlocked various yoga poses and strengthened my body.
  3. Attended circus training in Tasmania and was overwhelmingly inspired.
  4. Fell in love over and over with friends new and old...ah, love.
  5. Survived a scary earthquake and nuclear disaster.
  6. Wore a bikini in public and learned it isn't as embarrassing as I thought.
  7. Learned new communication techniques that make me a happier person and a better wife.
  8. Hosted out-of-town visitors, including our niece, Helen, and my dearest friends form Chicago.
  9. Reconnected face-to-face with friends and family. This is the most heart-warming experience of 2011.
  10. Flexibly changed major life plans several times without much trauma.
  11. Modelled in a national ad campaign and several other shoots.
  12. Did a lot of hoop-related activities:
    • Developed and taught four new workshops: Creating Original Tricks, Hoop Meditation, Finding Flow, & Z-Axis
    • Taught hoop dance in three countries
    • Produced the Japan Tricks Showcase, bringing together local hoopers for a charity video
    • Performed eight times, including once topless, once in a modern dance ensemble, and once with my sister.
    • Hosted 17 free hoop events ranging from 4th Sunday Spin to Hoop Hospital
    • Organised a week-long hoop retreat, Guru Guru Camp, on Niijima
    • Planned Tokyo's World Hoop Day event, which raised over 50,000 yen
    • Encouraged 317 hoopers globally to learn the WHD Dance
    • Collaborated with Ayumi to judge the Tokyo leg of Hooping.org's Amazing Hoop Race
    • Created a series of Circus Style Drills for Hoop Dancers videos
    • Launched Spin Matsuri Hoop Mixes, music for hoopers
    • Learned scads of new tricks and choreography
That's a lot more than I thought I did. Thanks, Joe, for encouraging me to reflect on the year.

Krampus

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Have you been naughty or nice this year? Santa and Krampus know...

Krampus is Santa's cruel other half. He brings the coal, carries switches to inflict punishment, and eats children on the naughty list. He's not usually depicted as a dragon, but it seemed an appropriate avatar for the coming Year of the Dragon. 

Here's hoping you're on the nice list and have a happy holiday season.

Totality

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Phases of the eclipse, captured by Tod.

Last night was the first time I've experienced a full lunar eclipse. It was beautiful. 

We rushed out of the house at 21:45 to catch the first bite taken from the moon. Japanese word for lunar eclipse is gesshoku, 月食, which is literally moon eating. What a meal.

With a good view from the garden, we scrapped our plans to watch the eclipse from Denzuin cemetery. Even so, after ten minutes outside we were cold! We ran back in to warm up, then returned better bundled for more viewing.

The bite grew bigger until the disk of the moon was glowing a dim red with a vivid sliver of white light on the edge. Tod, without a tripod, searched for a stable perch for the camera and found a wall outside our building. We stood and craned our necks through totality.

Everyone passing by on our street was looking up. The blood red moon, maybe more rust colored, was stunning and almost directly overhead. Neighbors came out for a look. There were people on the roof of the building across the way and folks on their balconies. Nobody was interacting, but we all experienced a celestial moment together.

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